After much debate on the best way to spend our last morning in Ningxia - to hedge bets & stay near the city, visiting Silver Height's original facility before our flight or get an early start & venture an hour toward the mountains to their new location built in 2014. We chose the latter & were well rewarded for our sense of adventure. From very little on the way to the next village to the sudden bustle around the local tourist attraction, a film studio used for many period movies; and back to almost nothing; right at the wooden watch tower & we were there. There being a large red low warehouse-like building, 8 times the size of the facility in the city.
We were met by a bubbly American, Alexa, who heads up marketing & communications. An interesting contrast to our previous experiences, with fast flowing English and outsider insights into the industry. Winemaker, Emma, shared extremely insightful anecdotes around both the industry - both past & present. From government controls over varietals imported (explaining the high concentration of Bordeaux varietals), to terroir, pricing to recover costs of setting up wineries by the current generation & the Gold Rush for land in Ningxia.
Silver Heights began as a bit of a premonition on the part of winemaker, Emma's, father. He planted the first vines in the area, with the belief that there was potential for successful winemaking, and promptly shipped Emma off to Bordeaux to study winemaking in 1999 where she met husband, Thierry, who returned to China with her. Husband & wife team are now responsible for the increasingly well-reputed wines thanks to Emma's previous employer, a wine distributor, who told her to bugger off & make wine full time after tasting some of what she was making in her spare time.
And it's easy to see why.
From a floral yet fresh Chardonnay (the first release), to beautifully structured & layered reds - The Summit (Cab Sauv, Shiraz, Merlot blend) being described by dear Jancis Robinson as "just the wine to confound prejudices".
And, overall, the wine we experienced in China did just that. Ganbei, Ningxia!
An uneducated, uncensored, very biased foray into the wonderful world of the (mostly) South African wine.
Friday, 14 October 2016
Sticks & Stones & Vines at Yuanshi
As the day drew to a close, we had one final stop ahead - the first our driver was actually certain of the location of.
Also, certainly the most beautiful we had visited to date. The chateau, the largest in the region, is a tribute to the owner's (who never drinks a drop of wine) love for rock & stone, showcased in a multitude of forms. From the buildings themselves, to intricate carvings & artworks tastefully dotted throughout; and soon to include a rock museum as well. Construction on the chateau began in 2008, to be completed in 2014. This seems an awfully long time on paper, but a walk through the winery & surrounds quickly reveals the extreme attention to detail, accounting for the time spent. From stone & rock collected throughout China, to ceilings lined with interwoven twigs to buffer sound & boundary walls constructed from rounded tiles to allow birds to nest.
Accompanied by winemaker, Sujie, we toured the production facility, comprising only machinery imported from Italy; the extensive cellar & private cellaring for clients who purchase whole barrels & bottle with their own labels; through a number of tasteful displays to the tasting room where the ceiling is crafted from the skeleton of the hull of an old ship, with the tables & chairs crafted from the same wood.
Here, we tasted through a lovely, bronze Decanter winning unoaked Chardonnay, of which very little was bottled due to limited demand for white wine in the local market (the rest of the harvest was used for brandy production); a 2013 Cab Sauv with a spot of 2014 added to perk it up; the estate's flagship red blend, Soul Mountain (Cab Sauv, Cab Franc & Merlot); and a very interesting private project of Sujie's - an unfiltered & unfined Cab Sauv 2014 of which only 800 bottles were produced. While we were delighted at Te honour & impressed by each wine in turn, Sujie remained critical of her work.
We felt this was a fantastic end to a fascinating & highly rewarding day. We looked forward to day 3.
Also, certainly the most beautiful we had visited to date. The chateau, the largest in the region, is a tribute to the owner's (who never drinks a drop of wine) love for rock & stone, showcased in a multitude of forms. From the buildings themselves, to intricate carvings & artworks tastefully dotted throughout; and soon to include a rock museum as well. Construction on the chateau began in 2008, to be completed in 2014. This seems an awfully long time on paper, but a walk through the winery & surrounds quickly reveals the extreme attention to detail, accounting for the time spent. From stone & rock collected throughout China, to ceilings lined with interwoven twigs to buffer sound & boundary walls constructed from rounded tiles to allow birds to nest.
Accompanied by winemaker, Sujie, we toured the production facility, comprising only machinery imported from Italy; the extensive cellar & private cellaring for clients who purchase whole barrels & bottle with their own labels; through a number of tasteful displays to the tasting room where the ceiling is crafted from the skeleton of the hull of an old ship, with the tables & chairs crafted from the same wood.
Here, we tasted through a lovely, bronze Decanter winning unoaked Chardonnay, of which very little was bottled due to limited demand for white wine in the local market (the rest of the harvest was used for brandy production); a 2013 Cab Sauv with a spot of 2014 added to perk it up; the estate's flagship red blend, Soul Mountain (Cab Sauv, Cab Franc & Merlot); and a very interesting private project of Sujie's - an unfiltered & unfined Cab Sauv 2014 of which only 800 bottles were produced. While we were delighted at Te honour & impressed by each wine in turn, Sujie remained critical of her work.
We felt this was a fantastic end to a fascinating & highly rewarding day. We looked forward to day 3.
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